
A SATURATED SPACE I
100 x 120 cm
Cotton Thread on Canvas
2025
Lisbon, PT
4,000 €

A SATURATED SPACE II
90 x 100 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
3,300 €
sold

A SATURATED SPACE III
90 x 100 cm
Cotton Thread on Canvas
2025
Lisbon, PT
3,200 €

A SATURATED SPACE IV
80 x 90 cm
Cotton Thread on Canvas
2025
Lisbon, PT
2,600 €

A SATURATED SPACE V
70 x 90 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
1,900 €
sold

A SATURATED SPACE VI
40 x 60 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
850 €

A SATURATED SPACE VII
40 x 60 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
850 €

A SATURATED SPACE VIII
40 x 60 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
850 €

A SATURATED SPACE IX
40 x 60 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
850 €

A SATURATED SPACE X
50 x 70 cm
Cotton Thread on Canvas
2025
Lisbon, PT
framed
2,000 €
sold

A SATURATED SPACE XI
60 x 70 cm
Cotton Thread on Canvas
2025
Lisbon, PT
1,300 €

SATURATED PORTAL I
C149 | 48 x 46 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
450 €

SATURATED PORTAL II
C153 | 47 x 49 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
450 €

SATURATED PORTAL III
C168 | 52 x 53 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
550 €

SATURATED PORTAL IV
C202 | 66 x 61 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
600 €

SATURATED PORTAL V
C222 | 63 x 75 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
650 €

SATURATED PORTAL VI
C401 | 134 x 124 cm
wire, recycled fabric, churra badana wool
2025
Lisbon, PT
1,250 €

GRACE I
10,5 x 10 cm
Bronze
2020
Florence, IT
650 €
sold

GRACE II
10,5 x 10 cm
Bronze
2020
Florence, IT
650 €

GRACE III
10,5 x 10 cm
Bronze
2020
Florence, IT
650 €
Saturated Spaces presents a new body of work by artist Olga Ermol, originally from Ukraine, based between Lisbon and Florence. The exhibition brings together threaded canvases and sculptural loops that speak emotion through colour, rhythm, and form. Each work acts as an open emotional space — a mirror for memory and reflection. The work doesn’t ask to be understood but to be felt. “What you see depends on where you’ve been.”
Originally sparked by a study of Luis Barragán’s emotional architecture, Saturated Spaces evolved into a personal exploration of how colour shapes emotion and atmosphere — how it can hold calm or tension, nostalgia or excitement. Ermol’s threaded artworks, influenced by Latin American Modernism, combine her love of art and architectural form — balancing intuition with structure.
Each piece is created slowly, through repetition and focus — a meditative process of finding balance between chaos and order. It is a personal response to an increasingly overstimulated world. The works are not fixed narratives but living environments — places for the viewer to enter and feel.
The exhibition also features Nomadic Loops, sculptural extensions of her fibre practice made with Portuguese Churra Badana wool. These pieces extend her exploration of transformation and belonging, reflecting a life shaped by movement between places and states of being. Each loop becomes a portal — a moment of change suspended in space, tactile and alive.
The Three Graces — a set of bronze female body sculptures created during the pandemic in Tuscany and shown for the first time, presented on wooden pedestals designed by Margaux Carel.
Originally from Ukraine, OLGA ERMOL began painting at the age of nine and never stopped—she simply shifted materials and ways of thinking as her practice evolved. Her creative path has moved through graphic design, interior design, painting, and sculpture, and she is currently absorbed in fibre — a medium that creates room for reflection, grounding, and sensing life’s rhythm at a slower pace. She studied Graphic Design at Winchester School of Art (UK), completed a Master’s in Sustainable Thinking at Goldsmiths (UK), and earned a second Master’s in Interior Design at Scuola Politecnica di Design (IT). Her work has been exhibited in Florence and Lisbon and is held in private collections throughout Europe and the United States. Ermol’s practice reflects an ongoing search for balance — between chaos and calm, structure and intuition, movement and stillness. Through a slow, tactile process, she turns emotion into form, creating spaces that invite the viewer to feel rather than analyse.



